Category Archives: 9/11 films

Educators, Holocaust group join Sept. 11 museum in 'teaching' children official 9/11 lies

These symbolic twin girders with tridents on top come from one of the World Trade Center towers.

By Craig McKee
The 9/11 official story is rooted in deception, distortion, and misdirection. Now all of its lies have been dressed up and put on display in an expensive federally funded monument for paying customers.
The National September 11 Memorial and Museum, slated to open May 21 (the outdoor memorial has been open since 2011), is more of a walk-in indoctrination center than a tribute to the victims of 9/11. It’s a piece of propaganda made of glass and steel that plays on emotions and on the sincere desire of people to honor those who sacrificed their lives in this false flag event.
The Memorial and Museum’s web site not only reiterates all the same lies, but it even explains a framework that educators will be using to indoctrinate children so they can grow up to be believers in the war on terror and the Continue reading →

9/11 film reaches beyond the choir: 50 questions that blow 'debunkers' away

By Craig McKee
The questions have been debated since the very beginnings of the 9/11 Truth movement.
How do we get people who believe the official story of 9/11 to consider the possibility that what they’ve been told is false? How do we go beyond preaching to the choir? And at what point is it necessary, or desirable, to simplify and/or soften some of the truth to avoid scaring people off?
The question is being asked again (well, at least by me) following the recent release of Massimo Mazzucco’s impressive five-hour, three-part documentary September 11: The New Pearl Harbor. The film brings together evidence from dozens of sources (particularly documentaries and TV programs) on 9/11. It ties this evidence together very nicely and makes it clear and easily understandable, particularly for those who are Continue reading →

Truther-friendly Canadian thriller pulls back curtain on elites' agenda

The Conspiracy: Written and directed by Christopher MacBride; starring Aaron Poole and James Gilbert; 84 minutes; to be released in the U.S.A. on August 8.
By Barrie Zwicker (Special to Truth and Shadows)
Is The Conspiracy a motion picture about a larger picture in slow motion – namely what’s usually called the New World Order?
Or is it meant to gently mock that idea?
Only writer/director Christopher MacBride knows for sure. But the ambiguity of a movie that is a mash-up of documentary and thriller/horror genres leaves room for MSM reviewers to be less hostile than they otherwise would be to the script, in which JFK’s assassination, the sinking of the Lusitania, the alleged Gulf of Tonkin incident, and 9/11 all are presented as “inside jobs,” and it is observed that these usually precede wars. Continue reading →

‘Gatekeeper’ documentary fails 9/11 litmus test, hides deeper media crimes

This is a review of the documentary film Shadows of Liberty; 93 minutes; PG; Jean-Philippe Tremblay, United Kingdom, director; 2012; distributed by KinoSmith Inc. 
By Barrie Zwicker (Special to Truth and Shadows)
I’m hard-pressed not to see Shadows of Liberty as other than a bait-and-switch job, a false flag op that seeks to marshal audience confidence if not admiration by blowing the whistle on a handful of media crimes not widely known to the general public, but that in the end distracts audiences from much larger media crimes, particularly media complicity in the cover-up of the truth about 9/11.
Because so few documentaries take on the corpstream media energetically, for the “average viewer” this one might rate Continue reading →

Exploring the ‘darker mechanisms of reality’: prologue to new 9/11 book hits home

By Craig McKee

There is a reason why so many conspiracy “enthusiasts” connect with the concept behind The Matrix.
It shows us a world that most accept as being real. People have jobs, have friends, have lives, and they don’t ask questions. But Thomas Anderson/Neo has a different future ahead of him. We follow him as he takes the red pill, and we all find out “just how deep the rabbit hole goes.”
I’m currently reading a provocative new book that looks at 9/11 from a vantage point in the deepest recesses of the rabbit hole. The book is called The Most Dangerous Book in the World: 9/11 as Mass Ritual by S.K. Bain. I’ve got an interview lined up with the author as soon as I have finished; reading the book.
But in the meantime, I was particularly struck by the prologue of the book, entitled “Knock, knock” and written by Peter Levenda, author of Sinister Forces. Levenda offers more than just an introduction to Bain’s book, Continue reading →

Angry words exchanged as 9/11 feature collapses: Sheen and Harrelson never signed contracts

This version of the poster features several actors who had never agreed to appear. Used in accordance with Section 107 (Fair Use) of U.S. Copyright Law.

By Craig McKee
Just a month after it was announced to the world, the 9/11 feature film September Morn, based on a script from first-time screenwriter Howard Cohen, is dead.
At least in its current form.
The project fell apart over the past couple of weeks after Cohen’s partners in the production, Fleur de Lis Film Studios, announced on Oct. 16 that the film would go ahead with stars Woody Harrelson and Martin Sheen even though neither had formally committed themselves to the project (The announcement received considerable media attention, including an article in The Huffington Post).
In fact, a full cast was announced even though some actor Continue reading →

Guy Fawkes, the Gunpowder Plot, and how false flags have shaped history

A portrait of Guy Fawkes, who was executed for ‘the gunpowder plot.’

Remember, remember, the 5th of November,
Gunpowder, treason and plot.
I see no reason why the gunpowder treason
Should ever be forgot.
-Old English folk rhyme (anonymous)

By Barrie Zwicker (Special to Truth and Shadows)

Today, November 5^th, is Guy Fawkes Day, also known as Gunpowder Day. In 2012 it’s the 407^th anniversary of The Gunpowder Plot or Gunpowder Treason, as it was first called.
It also happens to be my 78^th birthday. So I’ve been more aware of Guy Fawkes Day than most. I’m especially happy about how ubiquitous the Guy Fawkes mask has become. Continue reading →

Media and the 9/11 cover-up: BBC accused of breaking its own fairness rules

By Craig McKee
The first time I walked into the offices of my university newspaper to offer my services, I noticed a slogan on the wall that read: “Don’t cover the news, UNcover it.”
That distinction appealed to every idealistic bone in my body. There were 206 of them then, give or take. Things have settled a bit since, but I’m still idealistic to a fault. Even so, my expectations of the mainstream media – at least when it comes to the big picture items – can’t get much lower.
Instead of uncovering the news, now I’d settle for: “Don’t cover it up.” Continue reading →

Hollywood 9/11 feature to favour human drama and ‘safe’ evidence

By Craig McKee
Can you make an “uplifting” Hollywood movie about 9/11? Should you try?
If your goal is to encourage people to question the official story, should you focus on the human cost of this horrific event with an eye to making the film a successful piece of dramatic entertainment? What evidence should be examined and what should be left out to avoid controversy within the Truth movement and condemnation from the media?
These questions haven’t been simple ones for first-time screenwriter Howard Cohen, who has written the script for A Violation of Trust (original title: Confession of a 9/11 Conspirator). The setting is the first day of a fictitious new Continue reading →