By Craig McKee
Can you make an “uplifting” Hollywood movie about 9/11? Should you try?
If your goal is to encourage people to question the official story, should you focus on the human cost of this horrific event with an eye to making the film a successful piece of dramatic entertainment? What evidence should be examined and what should be left out to avoid controversy within the Truth movement and condemnation from the media?
These questions haven’t been simple ones for first-time screenwriter Howard Cohen, who has written the script for A Violation of Trust (original title: Confession of a 9/11 Conspirator). The setting is the first day of a fictitious new Continue reading